Category Archives: $10 – $19


If your favorite kind of game night is loud, fast, rambunctious, and full of laughs, then Pit (1904, Parker Brothers and others; $12; 3 to 8 players) is a must have. Read that year again: 1904. Pit has been around for over 100 years, and has changed only in the slightest ways – it is essentially the same game that was played by Americans when Teddy Roosevelt was President, and it is just raucous fun.


The premise of the game is that players act as commodities traders on the floor of the commodities market, and actively trade cards in order to “corner” the market in one of the commodities. In actuality, each player starts each round holding 9 (or 10) cards. The cards consist of 8 different suits, which are currently corn, coffee, oats, soybeans, wheat, sugar, oranges, and barley. There are 9 cards of each suit in the deck, and the goal of each player is to trade cards in order to obtain the 9 cards of a chosen commodity. Trading is accomplished (and this is the fun part) by choosing one, two, or three cards of a single type of commodity, showing them face down, and shouting out the number of cards to trade – in the hopes that another player will want to trade for that same number of cards. The swap is made face-down by the two players, who each then look to see if they have gotten the cards they were hoping for. After a short while, one player will manage to trade for all 9 of a certain commodity, at which time they yell “Corner (commodity)”, and the round ends. In the standard game, there is a “Corner” card that is claimed by the winner. In the deluxe version, there is a hand bell that is rung to signal the end of the round. Each commodity is worth a different number of points, so the winner of the round gains the points listed on that commodity. Play is supposed to continue to 500, which is more difficult when there are a lot of players.


There are two cards that are NOT commodity cards, but represent the market itself: the Bull card, and the Bear card. The Bull represents a strong market, and can be used by any player to substitute for any single commodity card (thus it would take 8 commodity cards plus the Bull to corner the market). The Bear represents a weak market, and it is an obstacle to cornering a market because the holder of the Bear card may NOT claim a cornered commodity; they must instead trade away the Bear card, even if the other 9 cards they hold are the same. When the Bear and Bull cards are used, each round two players will receive 10 cards. As noted, the Bear prevents a corner, but the Bull allows a corner with 8 cards. However, if a player manages to get all 9 cards of a commodity as well as the Bull, they get double points. But if a player is holding either or both of the Bear and Bull cards when someone else corners the market, then they count against that player. These cards can be traded singly or in combination with another single commodity.

Pit is simple and fun, and as such it’s perfect for either family or friends. Wherever people get together and have no problem letting their hair down and laughing and shouting at each other, Pit is a perfect choice. It’s a good icebreaker game as well, as it immediately lowers inhibitions and demands engagement, but always in a positive way. If I had to guess I’d say I expect to see it around in the year 2104.

Old News: Mind Games 2013 (much delayed)

So where were we since I last posted? Mind Games! I’m posting this for the sake of completeness, but it’s still worthwhile info – or at least I hope some folks can find my opinion here useful. The beauty of board games is that, once a game is determined to be a good one, it will always be a good one. (No! Not really – some do get old after a while, but let’s not get hung up on what’s true, or false, or whatever. There are games to discuss!)

The Mind Games winners from 2013 were, in order of how much I liked them: Suburbia, Forbidden Desert, Kulami, Ghooost!, and Kerflip. The first two were really, really my favorites, but the other three were definitely deserving. I’ll treat them one at a time.

Mind Games has been criticized, fairly enough, for not incorporating rules-rich, highly detailed games. This really becomes a problem when manufacturers decide to not submit their games for honest and critical (but constructive) judging by such an eclectic, motivated, intelligent group of board game lovers such as Mensa Mind Games provides. So it was nice to see Suburbia (Bezier Games, 2012; $60) show up, and even nicer to have a chance to play it.

Suburbia is a tile-laying game for 1-4 players (yes, you can play a solitaire version) in which players vie for various tiles with which to add to their sprawling suburban landscape. The tile layout for each player becomes an infrastructure network, consisting of commercial, civic, residential, and industrial tiles, all of which impact and are impacted by the tiles around them and elsewhere on the board. For example, one tile might represent a fine restaurant, which is good…until someone else plays the same tile, thus stealing some of the net income of the first restaurant tile. Or one might have a great reason to build an airport – but be prepared to pay the cost when the only place to “build” it is next to a residential area.

Each turn a player purchases a tile (for as low as $0) and lays it adjacent to one or more on the board. Each tile confers benefits and may also incur costs, as in our examples above, depending on where it is placed. The winner of a game is the player with the greatest population – and to get population, a player has to earn reputation points. And while it’s easy to get reputation points, it’s not wise to do it too fast, because a larger population costs a lot more money each turn – and a player needs money to buy good tiles. And so it goes, a sort of balancing act of keeping the economy in check with the population growth so that neither suffers.

Suburbia has a steep learning curve, unless someone is there to help – which in our case made the curve far more shallow. There are lots of pieces, but the pieces fit together well, and the game concepts are intuitive so they also fit together well. One interesting and very important mechanism is that changes in income or reputation can be instantaneous, one time events (such as gaining several gold coins for building something), or they can be cumulative, in which the per turn rate of income or reputation changes (such as gaining an extra gold coin each turn for building a business). This all adds up to a fun (if intimidating) game, great for any strategy-loving group of gamers, that easily won a top spot. Let’s hope manufacturers learn that Mensa is ready for more of these types of games!

We are seeing more and more cooperative games, in which players act together to try to beat the game.The newest addition to that list is Gamewright’s Forbidden Desert (2013, $25). Much like its predecessor, Forbidden Island, players are randomly assigned a specific function and work together to gather artifacts and then leave before they become victims of the forces of nature. In this case, the explorers are trying to gather and assemble four pieces of a flying ship from the shifting sands of a hostile desert (formed by a collection of tiles). They are battling a hot sun, increasingly nasty sand storms, and a shifting map.

(image courtesy of

My fear, upon seeing this game, was that it was a cynical attempt by the company to cash in on the very successful Forbidden Island game (itself a former Mind Games winner) by making nominal changes and changing the theme, a-la Parker Brothers/Milton Bradley/Mattel. But that is NOT the case with Forbidden Desert! It is just as thrilling to barely escape an angry desert as it is to escape a howling monsoon, and equally disappointing to succumb to either, and that’s because Forbidden Desert uses a totally different mechanism to introduce storm tiles, as well as the equipment (cards) needed to deal with them (and with the blazing sun!).

The concept is similar enough, and thankfully the excitement is on par with Forbidden Island, but there is also a need on Forbidden Desert to “discover” tiles, dig them out, keep them unburied, and also seek shelter from the hot sun with limited water on hand. There are also more specialists a player can play, so the replay value is that much greater. All of these elements combine to make the game interesting and intense, and since it’s a cooperative game everyone either wins or loses together. It’s really a fun experience and one I’d recommend for a family or any group of 2-5 friends.

Every year it seems that at least one abstract strategy game wins one of the top five spots. I’m not always a fan because they tend to be variations on a theme – which might not make them bad games, but they don’t come across as unique or interesting. This year, however, we chose Kulami (Foxmind, 2013; $30; 2 players), and I am very much on-board with it! (That’s a clever pun, you just don’t know it yet)

Kulami consists of rectangular wooden tiles of varying dimensions, put together randomly to form a single contiguous playing area. Each tile has four or more hollows, laid out in regular increments, so that each tile can hold a certain number of marbles (from four to twelve, I believe).  Players (light or dark) alternate turns by placing a marble in a hollow on one of the tiles – but the placement is dictated by the previously placed piece, such that it must occupy either the same row or column. When a player has claimed a majority of hollows with his/her colored marbles, they win that tile. Bonus points can be gained by completing rows or areas. The object of the game is to claim as many tiles as possible.

Like so many other abstract strategy games, Kulami has a few simple directions, and a game can go in any direction depending on who is playing. But the fact that every starting layout is different is very unique, and coupled with the simplicity of the game’s elements as well as the aesthetics, Kulami is a winner. Any person out there who likes two-player games, or who knows someone who does, should be interested in this game. It’s attractive, it’s easy, and it’s fun.

Ghooost! (Iello, 2013; $20; 2-6 players) is a card game in which players are trying to empty their hands and their “mansions” faster than at least one other person. That is, the last person left holding cards each round, loses that round. It is definitely more interesting than your basic Crazy 8’s, however, and the “spooky” theme makes it more fun: each player is trying to rid their mansion of ghosts and other spooky things.

In Ghooost! the cards are in four suits and range in power from 1-14. Some cards also have special powers that dictate conditions for subsequent cards played. Players start with four cards in hand, and 4-12 cards in their mansions (i.e., laid out in front of them). A round of play consists of two stages, the first of which involves players moving cards between their mansion, their hand, and the common crypt (new card pile) and cemetery (discard pile), in order to prepare their hands for the second stage. Once the crypt is emptied, no one may draw a new card, and the second stage of Ghooost! begins.

During the second stage, players are simply trying to discard their cards into the cemetery – but they must do so by placing higher-ranked cards or sets of cards into the cemetery pile, or else they are forced to pick up the entire cemetery stack (this mechanic holds true for the first stage, too). So spending stage one carefully building a decent hand for stage two is what this game is all about. Plus the cards are fun to look at. What’s not to love? This is another great game for kids and families, but my adult friends and I enjoyed it very much as well.

Kerflip! (Creative Foundry, 2012; $30; 2-4 players) is not just another word game, or should I say not just dehnawomoertrag…(get it?) In Kerflip! players race against each other to claim a word from the same random pile of letter tiles. The letter tiles are double-sided, each side having the same letter, and one side is white while the other is red-orange. Tiles of less used letters (Q, for example) have a number marked on the white side. Points are awarded based on who claimed each letter first, and whether any bonus cards were awarded.

The scoring is where the game is interesting, and it affects even the speed at which words are identified and called. In a round of play, each player chooses a certain amount of tiles randomly and, sight unseen, all players drop all chosen tiles onto the SPECIALLY DESIGNED game board (this is pretty cool, but we’ll get to it later). Players immediately turn all tiles to the white side, and then proceed to visually inspect the letters until they are ready to call out a word that can be spelled using those letters. As soon as each player has called out a unique word, scoring begins. The first player to call a word spells it out as s/he flip each tile to the red-orange side. They are awarded ten points for each letter (so the longer the word, the more points, times ten), and if they succeed in turning over a numbered tile, they get that many bonus cards (which simply award points at the end of the game – but they are held in secret). The second player also flips tiles as they spell out their word, unless a tile has already been flipped, in which case it is only worth five points, and no bonus is awarded. The third and fourth players follow, each getting less and less opportunity to score big. So the game is like a race to do a Jumble puzzle, except there are more letters there than are necessary to form any one word. The key is to be quick but still come up with a decent scoring word – no one will win with “the” and “cat”, but neither will they win if they take too much time looking for a better word.

So what about that “special” game board? It’s designed to sit inside the box in which it came, which also holds the bonus cards very conveniently. But adjacent to and on either side of the bonus cards there are two wells, and when a round is over, that’s where the used tiles go – into the wells! (unused tiles are recycled – back into the bag) The tiles disappear into the wells until the game is over, at which point you remove the board to discover that the tile wells are chutes that send all the tiles into a single black box. Pour the tiles into the bag, put the bag into the box, put the box back into its spot under the board, and you have a really quick, efficient, and elegant clean up. Pretty cool stuff.

Kerflip! is good for ANY word game fans, especially those who think they’re particularly good at anagrams, but also for those who tend to be competitive. It’s that race for the best word that makes for more fun in this game. As with the other games, this one is good for families or friends, but should be enjoyed by peers, or at least with a handicap (my kids wouldn’t stand a chance against ME!!! Mwahhahahahaaaaa).

So that’s it from Mind Games 2013. I’ll be looking forward to Mind Games 2014, which will be in Austin, TX, in April. I really want to promise to write it up as soon as it’s over. In the meantime, I’ll try to add more! Adios!!

Forbidden Island

Forbidden Island (Gamewright, 2010) just won the widely respected Mensa Select Seal, and I’m happy to say that it received my number one vote there (Mensa Select Seals are awarded annually at Mensa Mind Games, which was held in San Diego last weekend; go to my other blog at for a description of the top five winners).

Forbidden Island is a cooperative game, so instead of players trying to outdo each other, they are working together to “beat the game.”  Players compose a team of adventurers, racing against time to retrieve four treasures from a sinking island, and then escape before the water rises. If they escape with all four treasures, they have won.

Each player takes on a different role (Pilot, Engineer, Navigator, Messenger, Diver, or Adventurer), each having a special – but not outrageously powerful – ability, which aids in the three main tasks – getting around the island, “shoring up” the island (undoing the effects of rising water), and moving or claiming treasure. The island itself consists of tiles laid out randomly  in a cross-shaped grid. Some tiles are labeled as places to claim treasure, and some are labeled with pawns, and serve as starting places for that player (pawn colors correspond to the identity and special ability of that player). There are six roles to choose from, but a maximum of four players results in the absence of at least two specialists.

Players alternate turns, performing three actions per turn, from this list: Move to an adjacent tile, Shore up a tile that has been flooded (i.e., unflood it), Give a treasure card to another player, or Claim a treasure. After the actions are taken, players draw two treasure cards – one of which might actually be one of three “Waters Rise” cards in the deck, but many of which represent one of the four treasures to be claimed. It takes four treasure cards to physically claim a treasure. When a “Waters Rise” card is chosen from the treasure deck, “Flood Cards” are drawn from a different deck. Each Flood Card represents one tile, thus revealing which tiles will be flooded. Those tiles are physically inverted, or, if they had already been inverted, they are removed from the game, along with their flood card. Yikes! As the game progresses, water levels only get higher…so more cards are drawn…thus more tiles flood when the Waters Rise cards are drawn. To make matters worse, when the Waters Rise cards is drawn, all the flood cards previously drawn are reshuffled and placed on top of the draw pile, so they are the first to be drawn again.

Forbidden Island is exciting to play. Your fate is bound to the fate of your colleagues, so each player has a stake in what the other players do. The bulk of the time is spent deciding, as a group, how to spend each of the three activities a player gets. In my first game we were literally one card away from being overtaken by the flood waters, and it was surprisingly simple to imagine ourselves on the rapidly disappearing island, trying to make it safely to the helicopter pad (“Fools’ Landing”).

For me, one very reliable sign of a good game is how easily immersed you are into its world, and Forbidden Island did that within two turns, and maintained it. It’s recommended for ages 10 and up, which is probably fair because one must really consider possible future problems and contingencies to win, but an 8 year old could enjoy the game with a little help. If you want to try something new for just a few people, give this game a shot!

Buy Forbidden Island from Amazon!


There is a long list of word-tile games, the most well-known being Scrabble, and it seems like every year another one or two or seven come out. Bananagrams (Bananagrams, 2006), in terms of how it’s played, is not really unique – you use the tiles to spell words and try to be the first player to run out of tiles once the main draw pile is exhausted. But, in addition to the game play, they did this word game right in every way.

Most people, gamers or not, have noticed the packaging by now from browsing through a Barnes and Noble, Borders, or Target; the packaging, a heavy cloth banana-shaped bag,  is cute. No, not cute, clever. Wait, clever doesn’t really sum it up – the packaging is brilliant in its simplicity and the banana-anagram pun is genius. It’s a gimmick, but it works. The fact that the game inside that gimmicky packaging works well really just secures its position as an excellent game. The tiles are heavy and feel good in your hand, and the entire package itself costs $14.95. You get a time-tested and easy to understand game, made with quality material that feels good in your hands, in a conversation-piece of a package that appeals to all ages, and you can travel with it.

All the word tile games that are out there involve drawing and discarding tiles and spelling words, usually in a crossword-type fashion, and so does Bananagrams. Each player starts with a certain number of tiles, and begins making words in front of them; all players play on their own word grid simultaneously. Players may (actually, must) rearrange their words as they go in an attempt to fit in all of the tiles they have drawn. Once they have used up all of their tiles, they draw another (and forcing other players to also draw another). If they can’t use a tile, they may cash it in in exchange for two more. The game continues until the draw pile is exhausted and one player has used all of his or her own tiles to make legal words.

The rules are simple enough for youngsters (my 5-year old can play), but the universal appeal of crosswords makes the game truly suitable for any age. It even comes with rules for a solitaire game. I recommend Bananagrams for just about any household – and not just word lovers! This is a great game – as mentioned earlier – for traveling, and just like a pack of playing cards different rules can be introduced to make it easier or more difficult. At $14.95 it’s hard to imagine a better value.

Note: Double-Bananagrams is now available, as well as a companion game – appletters.

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Who hasn’t played this game at one time or another, without the help of actual cards, or a board? My brothers and I, and now my wife and I, routinely try to stump each other with lyrical trivia.  Any music lover would like Encore (Endless Games, 1989). This is the kind of party game that nobody really wants to start playing – who wants to show off their own tone-deafness, after all? – but ends up getting everybody gathered around, laughing, and contributing a song or two from their own repertoire.

The game very simply requires each team to identify and sing lyrics from a song, at least six words in length, that include one target word that is drawn randomly from the deck. Teams alternate on the same word until one team fails to come up with an original answer, at which point the other team wins the right to move closer to the end.

There is a newer version of Encore out (first picture), but we played the older version (pic number 2), and because the old tunes are still around, it was still full of relevant words. Unfortunately, I can’t offer an opinion on the cards available in the current edition – but I honestly have no doubt the target words are a decent sample of easy, difficult, and in between. In addition to the word cards, the game comes with a board,  a die, pawns, and a marker.

The target cards are shown below – each listing five everyday words. On one team’s turn, the die is rolled and their pawn moved; the color of the space they land on refers to the colored word on the card they must play. That team them must come up with a song including that word, and sing at least six lyrics that include it. Once they do, the other team must come up with a different song. Turns alternate until one team appears stuck. At that point the other team can impose a time limit (20 second sand timer), but if that first team comes up with a song, the other team then has a time limit as well. Once a team fails to come up with an appropriate answer, they lose control of the dice.

The yellow spaces on the board correspond to “category” questions, and are self explanatory. Otherwise there is nothing special about the color categories on the cards.

Encore is billed as a game for music lovers, but it really is a democratic game, with musical elements for the whole family. As bad as people might consider their singing to be, once among friends all bets are off, inhibitions are cast aside, and it’s all about laughing and enjoying the company.

This is an easy game to recommend to just about any group. The fact that players are matching their own repertoires against the word in question makes it appropriate for any age group (over 8, that is) and any English-speaking country. It is definitely a nice family game, because it can bring people together across generational lines.

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Werewolves of Miller’s Hollow

I finished my last game of The Werewolves of Millers Hollow (999 Games, 2001) less than 10 hours ago, and I can’t really wait to tell you about it! This is such a unique game, and the interaction is so interesting, that I’m a little embarrassed and ashamed that I waited so long to play it! (And I call myself a game lover – bah!)

In this game, players (except for the “Moderator”) play the part of simple townsfolk – but some of them are werewolves and wake up at night to kill an innocent victim, and then arise in the morning among the rest of the townsfolk. The townsfolk then all try to decide who among them might be a werewolf, and the player chosen is lynched! Of course, that player may end up being a werewolf, or an innocent victim. Eventually, there are only werewolves or townsfolk left, and they have won the game.

The key to The Werewolves of Millers Hollow is that players do not know the actual identity of any of the other players (per cards, above), and when nighttime falls, all players close their eyes as if asleep, only “waking” when they have a role to play. There are only a few werewolves – up to four – per game, but they are the only ones who know who they are, and when they mingle with the rest of the townsfolk during they day they must avoid being found out.

So the game starts when the moderator, whose job it is to run the game and communicate decisions among the players without giving away identities, deals a card to each player. That card becomes that player’s identity (see below). Ordinary Townsfolk simply close their eyes during the night phase, and open them when night is over, and then help try to determine who might be a werewolf during the day. The Werewolves act like townsfolk, but during the night phase they, at the moderator’s cue, open their eyes and communicate silently to decide on a victim. The moderator then silently taps the victim to let them know they were killed by the werewolves, and the werewolves close their eyes again. When the moderator announces morning time, everyone except the victim opens their eyes, and the victim’s identity is revealed.

When the day begins, all players (including the werewolves, who are acting like regular townsfolk) debate and choose by vote which other player is a werewolf. That unlucky player is “lynched” and then their identity is revealed (By the way, when players are “killed” they are out of the game, and may not participate…but it is still a lot of fun to watch!). The (optional) sheriff card can go to any player, by vote of all players at the beginning of the game, and that role confers on them two votes when deciding who is a werewolf. That can be particularly bad if a werewolf ends up becoming elected sheriff, because as the number of players dwindle, those two votes are increasingly powerful!

If a player is not a werewolf, they are a townsfolk (but the sheriff can be either). The townsfolk may be ordinary, or they may have a special role. The Fortune Teller (above) wakes up first after all the town has gone to sleep, and they get to “peek” at another player’s identity. It is up to them, after that, how to use the information.

More special townsfolk cards are below. The Little Girl has the option of opening her eyes while the werewolves are awake, to peek at them – however, if she is caught peeking at them then she will automatically become the next victim! The witch has two potions, one for healing (bringing back one dead person) and one poison (for eliminating one person); the witch wakes up after the werewolves have killed and gone back to sleep, and she determines whether to use her healing or poison potion that night, or not. She may use each only once, and they may be used on herself.

At the beginning of the game, the Thief may opt to remain a regular townsfolk, or they may choose one of two remaining cards from the deal. The Hunter, when killed, gets one shot at one player, taking that player with him. Cupido gets to play matchmaker – any two players of Cupido’s choice become instantly in love and MUST protect the interests of their loved one. If one of the lovers dies, the other must follow (by taking their own life!).

And so goes The Werewolves of Millers Hollow. The game is so exquisitely interesting because each person has information to share and an identity to hide at the same time, and they do not know who is who. It’s a game of guesses (usually wrong on my part – lol!), suspicion, hunches, and luck. It takes about 20 minutes or so (depending on how many are playing) to play a single game, but as I said earlier it is very easy to play many games in a row. In fact it’s hard not to.

I absolutely recommend this game to any group of people gathering just about anywhere. It would even be great for more formal gatherings where there is a need for an ice breaker or a team-building type exercise. I can envision modifications to make it even better for something along those lines. That said, it is also perfect for later nights, when the more raucous games, or the more serious games, are over and there are enough people left behind to make it work.

There is an expansion of The Werewolves of Millers Hollow called “New Moon,” and a re-implementation called The Village (that is, it’s a newer version of the original with added features); see pictures below. I have yet to try these, but you know they are high on my list!

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Many have played Fluxx (Looney Labs, 1997), and many more have heard of it, but if you haven’t played it yet then you won’t understand. I shall do my best to make you understand, though, but I encourage you to invest the $20 (0r less) and give it a try. Chances are you will be glad you did. You might even wish to go for one of the Fluxx variants that are now on the market, such as Zombie, Martian, Monty Python, Family, Stoner, Eco, Reduxx, Espanol, Christian, or Jewish Fluxx. One doesn’t need to know the basic game in order to appreciate the spin-offs; in fact, the opposite is true.

So what’s so interesting about Fluxx? Why do fans of the game get this other-worldly glaze over their eyes when it comes up in conversation? Because it is the first game in which the goal of the game, the mechanisms of the game, and the rules of the game are subject to change at any moment. Because of the constantly changing landscape of a game of Fluxx, it makes for a wonderfully chaotic experience.

The game starts off innocently enough – each player gets three cards, and the remainder become the draw deck, which is placed in the middle of the playing area. Alongside the draw deck, the “Basic Rules” card is placed face up (see below). The basic rules are simple enough: Draw one card, and play one card. But once cards are played, the rules change. Since there is no basic “goal” of the game, there is no way to win, until someone plays a “goal” card.

A goal card specifies winning conditions. The two visible cards below, for example, indicate that whichever player has two specific cards in front of them (the Sun and the Moon, or Dreams and Money) wins the game.

A player gets such cards in front of them by placing them there during the “play” part of their turn. Such cards are called “keepers,” and are so labeled:

The keepers are specific to the theme of the game, and in the original Fluxx game are simply iconic items (the Sun, the Moon, Chocolate, a Toaster, etc). In themed Fluxx games, they are significant aspects of that theme – in Monty Python Fluxx, one might, for example, have King Arthur, the Nude Organist, or the Knights who say “Ni!” A feature of more current editions that the original lacked are “Creeper” cards. These cards, once drawn, must be placed in front of the drawing player and prevent that player from winning the game until they are removed or destroyed, unless another rule supercedes the Creeper card’s function. Confused yet?

“Action” cards, once drawn, must be played immediately, and describe an action that must be taken:

Action cards have a significant impact on game play, and go hand in hand with “New Rule” cards. New Rule cards are self-explanatory, and simply dictate how many cards should be drawn, how many can be played, and various other actions that may be taken by the players (see below).

New rules will often contradict older rules, in which case the older rule is discarded. Action cards are discarded after they are followed, as well.

So that is Fluxx, not only in a nutshell, but pretty much completely. Players take turns drawing and playing cards until one of the players has met the conditions of whatever goal is currently featured. The specific rules of drawing and playing change constantly. This makes for a lot of frustration for players who love the planning and execution that goes along with strategy games, but for the most part Fluxx is so wildly unpredictable from draw to draw that just about everyone has a good time.

I definitely recommend this game to just about anybody 8 or older, or anybody who is a fan of one of the themed decks. Fluxx is easy to pick up and play, relatively inexpensive, small and easy to pack for travel, and it is definitely a great family game since the winner is just as likely to benefit from luck as any one else. Game lovers are not the only ones who like Fluxx – I know a lot of people who do not consider themselves game players who have played and enjoyed Fluxx, a few of them enough to own the game.

Buy Fluxx at Amazon!